bane wrote:Live football rules, other than that whole TV commercial break bullshit. 3rd and 4, Team A needs to score with 2:25 left and Team B is trying to hold them, let's go to a commercial and watch all the players stand around on the field with their thumb up their ass for 3 minutes while they wait for the go ahead from Papa network. That's always extremely lame. Baseball rules live too. It's boring as a motherfucker on TV unless you have some kind of rooting interest though.
The Wall Street journal agrees with you. The game itself is actually jam packed with nothing.
http://online.wsj.com/article/SB1000142 ... 61406.html
Football fans everywhere are preparing to settle in for the NFL's biggest and most electric weekend of the season—a four-game playoff marathon that will swallow up at least 12 hours of broadcast time over two days.
But here's something even dedicated students of the game may not fully appreciate: There's very little actual football in a football game.
Photo illustration: Jeff Mangiat, photos, Getty Images (2), Associated Press (cheerleader), NFL (replay)
.According to a Wall Street Journal study of four recent broadcasts, and similar estimates by researchers, the average amount of time the ball is in play on the field during an NFL game is about 11 minutes.
In other words, if you tally up everything that happens between the time the ball is snapped and the play is whistled dead by the officials, there's barely enough time to prepare a hard-boiled egg. In fact, the average telecast devotes 56% more time to showing replays.
So what do the networks do with the other 174 minutes in a typical broadcast? Not surprisingly, commercials take up about an hour. As many as 75 minutes, or about 60% of the total air time, excluding commercials, is spent on shots of players huddling, standing at the line of scrimmage or just generally milling about between snaps. In the four broadcasts The Journal studied, injured players got six more seconds of camera time than celebrating players. While the network announcers showed up on screen for just 30 seconds, shots of the head coaches and referees took up about 7% of the average show.
If you think the networks are a little too fond of cheerleaders, you may be mistaken: In these broadcasts, only two networks showed cheerleaders at all. And when they did, they were only on camera for an average of three seconds. "We make it a point to get Dallas cheerleaders on, but otherwise, it's not really important," says Fred Gaudelli, NBC's Sunday Night Football producer. "If we're doing the Jets, I couldn't care less."
Football—at least the American version—is the rare sport where it's common for the clock to run for long periods of time while nothing is happening. After a routine play is whistled dead, the clock will continue to run, even as the players are peeling themselves off the turf and limping back to their huddles. The team on offense has a maximum of 40 seconds after one play ends to snap the ball again. A regulation NFL game consists of four quarters of 15 minutes each, but because the typical play only lasts about four seconds, the ratio of inaction to action is approximately 10 to 1. (At the end of a game, if one team has a lead and wants to prevent the other team from scoring again, standing around and letting the clock run down becomes a bona fide strategy).
For broadcasters, filling these idle moments is always a unique challenge. Ken Crippen, the executive director of the Professional Football Researchers Association, who has a collection of broadcasts that date back to the 1930s, says most early telecasts showed a constant feed of the field with a few shots of the scoreboard for variety. "It was basically just constant, live action," he says.
Things began to change in the mid-1960s, when instant replay became commonplace. By the 1970s, broadcast crews had expanded to an average of eight cameras and three production trucks, a number that has only continued to grow. Mr. Gaudelli says that by the 1990s, some football broadcasts showed about 100 replays per game.
In the past decade, regular-season football telecasts have evolved into major productions that can cost between $150,000 and $250,000. Networks say they have anywhere from 80 to 200 people on hand per game with dozens of cameras. (NBC says its broadcasts require seven production trucks.) Producers say all this technology has made it easier to show shots of wacky fans, demonstrative coaches on the sidelines and video segments prepared before the game.
The result is that broadcasters have so many options that they have to spend a lot more time planning what to show—and what not to. Lance Barrow, CBS's lead football-game producer, says his crew meets for several hours with players and coaches from the home and road teams in the two days before kickoff just to prepare material to present during dead time. In August, Bill Brown, a senior football producer for Fox, says he met with about 100 colleagues at a conference center in New York to prepare the network's game plan for the season.
